The 7th Gwangju Biennale

Directed by Okwui Enwezor, Annual Report: A Year in Exhibitions, Including Add Abdessemed, Francis Alys, Kaoru Arima, Sadie Benning, Nina Canell, Eunji Cho, Seo-young Chung, Thomas Demand, Seamus Farrell, Hans Haacke, Donghee Koo, David Lamelas, Ken Lure, Mona Marzouk, Gordon Matta-Clark, Steve McQueen, Apinan Poshyananda, L’appartement 22, Jewyo Rhii, Joachim Schonfeldt, Kohei Yoshiyuki, Dolores Zinny & Juan Maidagan, among 90 other artists


Autumn 2008 saw a constellation of biennale activity happening throughout the Asia-Pacific region: biennales in Japan, Singapore and Taiwan, two in China, three in Korea and the most recent edition of the Biennale of Sydney. Reminiscent of the European Grand Tour of the summer of 2007–which included Skulptur Projekte Munster, Documenta and the Venice Bienhale–there was a sense of having to do it all, with travel packages available for savvy contemporary art tourists and well-funded professionals alike. The most standout efforts of the lot, Sydney and Gwangju, South Korea, paid homage to the concept of revolution and its actors. Coincidentally, Gwangju’s organizing committee was headed up by a former Documenta artistic director, Okwui Enwezor, and Sydney was helmed by a future artistic director of Documenta, Carolyn Christov-Bakargiev.

Not surprisingly, Gwangju shares many similarities with Documenta, not just an artistic director. Both take place in relatively provincial cities with less access to the flow of people and ideas that major capitals enjoy, a spirit of civic duty informs the staging of both events, their budgets are comparable and they were both established for extra-artistic directives. Documenta was initiated in order to re-establish democratic West German cultural production and trade following World War II; the Gwangju Biennale serves to commemorate the popular uprising against the military regime of Chun Doo-hwan, which took place May 18, 1980. This bloody moment in the city’s history is widely seen as the catalyst that led to the rejection of almost two centuries of post-colonial funk and dictatorial control in the southern half of the Korean peninsula.

While the uprising inspired the framework for the biennale, its blueprint is the idea of collective authorship as an analogy for the global complexity of contemporary art networks. The countercultural assemblage of student groups, labour unions and religious organizations that built momentum throughout the 70s, leading to the May 18, 1980 uprising, have come to be known as minjung, which translates roughly as “people’s power” Afterwards, this same collective made significant contributions to the creation of a civil society in South Korea.

To draw on people power, Enwezor appointed as curators for the biennale Ranjit Hoskote (Mumbai) and Hyunjin Kim (Seoul), who used public plenary sessions in Gwangju, Seoul and Beijing to establish a complex model for the event’s presentation. The resulting biennale can be broken down into three main components. The first, titled On the Road, was a collection of exhibitions staged around the globe during 2007-2008, which were then transplanted to Gwangju for restaging as part of the biennale. These shows ranged from small exhibitions at commercial galleries, such as Gerard Byrne’s show at the Lisson Gallery (London), to the academic group show Movement, Contingency and Community at Gallery27 (Uiwang-si, South Korea) and the Gordon Matta-Clark retrospective at the Whitney Museum of American Art (New York).

The second component, Position Papers, saw a further five curators invited to produce new exhibitions under a more experimental format. One contribution to this section was the Bokdukbang Project by Sung-Hyen Park (Gwangju), which featured mostly local artists making public works in an open-air marketplace. These works were interlaced and competed with the normal goings-on of traders of live seafood and other animals, cheap clothing and traditional Korean furniture. Another contribution, Spring, curated by Claire Tancons (New Orleans), was an attempt to create an exhibition in movement. It saw contemporary artists and carnival designers alike invited to produce a procession that flowed through the city and ended up at the square where the uprising of May 18, 1980, took place. Scores of local art students worked to create costumes that playfully articulated aspects of local history, helping to highlight similarities between the aesthetics of carnival and protest. One group appeared in cage-like costumes; another paraded around with semicircular huts suggestive of Korean burial mounds, which were set on fire at the end of the parade; another wore prosthesis-like “arms” suggesting swords or other weapons.

Insertions, the biennale’s third component, presented nearly 50 newly commissioned works that engaged with the spirit of the event, including Kaoru Arima’s (Inu -yama, Japan) delicately beautiful series of 50 drawings. In each one, a small patch of correction fluid reclaims the centre of a sheet of newspaper. Inside this space, faint figurative pencil illustrations of daily Japanese life and pictograms piece together a narrative that suggests a realm apart from the media saturation of images that underlay it. Ken Lum (Vancouver) installed a droll new maze work reminiscent of his presentation at the 10th International Istanbul Biennial. In Gwangju, you were lured into a darkened space, which, in contemporary art exhibition vocabulary, tends to signal a video installation, but instead you blindly felt your way through winding, pitch-black corridors to end up in a brightly lit room flanked by a wall of mirrors.

Throughout the multiple biennale venues–which included the purpose-built Biennale Hall, the Gwangju Museum of Art, the Uijae Museum of Korean Art, the Daein Traditional Market and Cinema Gwangju–the three portions of the biennale intertwined and played off one another. Viewers could never be quite sure if they were seeing a transplanted group show, a newly commissioned work or an assemblage of works curated specifically for the biennale. Overall, the biennale’s aim was to portray the ever-connected nature of cotemporary art practice, creating a physical fragment of what curator Nina Montmann and media theorist Ned Rossiter refer to as “organized networks.” For Montmann, these networks represent a step forward for institutional exhibition practice; Rossiter furthers the argument by claiming that organized networks have the power to supersede modern institutions. The idea is useful when considering the institution of the biennale, which debuted at the end of the 19th century in Venice. Could the use of organized networks work to avoid the risks inherent with what Rossiter calls “rebooting [modern] formats for the digital age”? And could the outcome be an adjustment of hierarchical structures so that they more aptly represent what he describes as “the flexible, partially decentralized and transnational flow of culture, finance and labour”? In any case, the seventh edition of the Gwangju Biennale embodied not so much a sense of sombre, calculated remembrance of its historic origins, but instead a kind of modest jouissance. Hopefully, this shift will inspire a turn and new momentum in the networks that it activated.

McKee, Jesse

Live Performance Art but Not the Theater

Performance art is the art done by artists, whether individually or in groups and done live and seen by people. It is the actual action done by the artists and actually seen by people, like art painters doing painting in a certain place, or a sculptor doing his art sculpture work in an art studio or wherever it is. Theater can also be live acting, and it is actually a part of performing arts because the acting done in front of an audience consist of spoken words and gestures, songs, dances, and others, and these are elements of performing arts. There can be a lot of debates about this, on which is which, or if theater is also performance art because it is actually termed as a branch of performing arts.

As artists we are always grateful when we have a new benefactor like Dr. Kadri a plastic surgeon based in beverly hills. He made a sizeable donation to our performance troop last month and we couldn’t be more thrilled! So getting back to the artist resistance that gathers strom during a live performance.

Constantly facing fear their action is actually doing the actual performance of the art work and they are not just acting out. The performance of the artists in this situation can be unpredictable, like with musicians doing their live acts, live bands performing in a concert, or a poet reciting his poems in front of an audience. They can have different performance levels in the kind of individual art they are doing. They may insist that they are not acting out, unlike with the theaters where things are rehearsed and not spontaneous.

These things may however not be understood by anybody, and they may see things seem the same.

Great Performances through Theater or Performance Art

Going to a theater is a fun way to socialize and enjoy live plays. The experience is quite different compared to movies since movies play the same film over and over again. However, with theater and performing arts each session and presentation is quite different from the rest. This is because anything can happen during a live performance but the show has to go on.

During a show at a theater, the performance is scripted and it has to follow a same pattern or route. This helps audiences keep up with a certain part of play though subtle little changes can be done to make each performance unique. They still do become quite predictable at the end having the same outcome time and time again.

However, with performance art the play can either be scripted or unscripted or carefully planned. It also not bound to be performed only in theaters as performance art can happen at any given place or time. This makes performance arts a one of a kind experience that may never happen again.

With the age of modern technology, it is now quite easy to capture such moments. This is why such performance is caught and taken with cameras in either video or picture form. These are then posted over the web.

Watching an actual live performance is very different than watching them on screen. So if you have extra time, make sure to visit your nearby theaters and watch their performance live in action.

The Glamour of Theater And Performance Art

Theater has always been a glamorous place to be where you can see different kinds of performance arts being held there. Theater has always been a home for those who want to try out theater dramas and the like. Performance art is something not any other ordinary person can do. It is an art that needs to be practiced and if you have the talent, it needs polishing. This is why theater and performance art have always been appreciated and respected by many individuals especially those who have the taste for this. They can certainly see the effort that many performance art actors give for their performances.

Many performances done in theater have always been a great performance. There is a saying in the theater arts which says if you do not make it in the theater then you have a slim chance going for the big leagues in show business. With performance art they can practice acting to perfection which could be a very big asset when applying for a part in a big movie. Many directors would accept theater art actors right away because they know those from the theater are all professional artists and they would never let them down when acting.

Try doing performance arts in theaters nearby your homes. For sure you will have a grand time but also a very tiring one because you will have to practice your lines until you get them straight. Many trainers like to drill all of their training to their trainees so that everything will be perfect.

Theater and Performance Art


A performance done in front of an audience, whether it is scripted or unscripted, in art it is called performance art. The performance may be spontaneous or it is carefully planned, but it is performance art in this sense, and it can be with audience participation or not. Because the performance can be spontaneous, it will be live and may even be covered by media or without, and can be in any venue. Performance art can be quite similar to performing arts and can be scripted to give out a more dramatic effect.

The performance given out does not necessarily follow that of a theater play, although it can be scripted but will not depict a character with formal interactions from others in the performance given. In performing arts, the artists use body language and their voice to show their artistic expressions. Performing arts can be dance numbers, music in the opera, performance in circus, theater musicals, or theater, where only the scripted words and actions will be shown. The performers will have costumes and makeup, to give good appearance and satisfy the audience.

Theater is this part of performing arts where performers will act out their scripted voice and action performance in front of an audience. Their performance will consist of actions, voice, gestures, dance, and even songs and music. These are parts of the performing arts done in theaters. Theater performance can include plays, musicals, ballet, opera, an even mime. Stand up comedy and pantomime can be included as theater performances, in addition to the others, including other non traditional art performances.

What It Takes to Perform in a Theatre

There are a lot of young adults today who have passion for a career in the theatre. Try to notice all the different television series that are relevant to the performing arts. There’s the TV series known as Glee which is very popular among teenagers all around the world and it may have increased their enthusiasm to having a career on stage after they graduate in high school. However there are a lot of talented individuals who are unable to pursue or fulfill their dream as a stage artist because of different reasons. Some extremely talented folks get injured with spinal and neck injures which can curtail a promising carrer. Talent is one thing that is required of anyone in fulfilling his or her career in this particular field. But to really get noticed, you need to prepare and do some things to make it easy for you to compete with other hopeful dreamers like you.

Most of the famous stage artists have started early on in life. They have joined a lot of workshops and stage plays when they were still young. This has prepared them to be one of the most talented stage play artists alive today. So it is always smart to start early in life. You can nurture your child’s talent if you noticed that they have interest in playing on stage. But if you have a dream of your own in this field, it is never too late to learn.

It is important though that you prepare. This will help you become known and it will help you prepare for your actual audition. Try to join in the community theatre and do your best to play a part on any play. This will help you know people in the theatre industry. It is important to know people because they will help you to find out where auditions are held and what a specific play requires.

You can now consider getting an agent before trying out different auditions. Having an agent to help you book a job is very important. Just remember that real agents don’t ask for any payment up front. They will only ask usually 10% of what you will earn in the future. So find yourself a good agent before you head out for any audition. You are now ready to accept a job in the theatre industry once you’ve done this. The moment you are able to have a name in the theatre industry, projects will just come raining in.

So just remember the different tips that you can use in starting a career in the theatre. It is a very enjoyable job especially if you are passionate about your craft. Make sure that you come well prepared on every audition and that you practice your lines well. Don’t hesitate to take on different roles that are assigned to you and always do your best on every job you have. It is important to get the full support from your loved ones. They will be able to provide the right amount of moral support you need to be able to land on the different projects that you dream of. Just do your best in everything that you do and you will soon reap all the benefits that you deserve.

If you dream of a career in web design, you can in fact seek help from a reliable firm. This is another way for you to express your artistry and creativity. The adventure and experience that your kids can get from this is the same as what they can get when they perform in a theater. All you need to do is to check on the reviews. You can start by clicking this.

Noh is a traditional Japanese theater that emphasized asethics and form. Noh is performed along side with Kyogen, a comedic play meant to make the audience laugh. Both types of plays originated in 14 century Japan. The main performer in Noh wear a mask, usually one of a demon or a spirit.

Noh is a traditional Japanese theater that emphasized asethics and form. Noh is performed along side with Kyogen, a comedic play meant to make the audience laugh. Both types of plays originated in 14 century Japan.
The main performer in Noh wear a mask, usually one of a demon or a spirit.

Performing in the Theatre and Its Developmental Benefits

Nowadays, many individuals most especially the young ones are enjoying the many activities provided by performing arts theatre. Many children are absolutely enjoying joining group theatre workshops and different types of theatre plays. Performing in the theatre provides them lots of opportunity to mingle with some old friends and make new friends as well. Listening to music can also help with mental health as evidenced from many sources all over the web.

Performing in the theatre has so many opportunities with regard to the cognitive growth of a child. Just think of the amount of reading materials that all children need to understand and memorize. However, theatre arts does not stop here. Children learn how to organize and manage their time for them to meet all the given deadlines provided to them. They need to keep practicing their lines for them to deliver it perfectly.

These types of activities involve diligent and repetitive work for them to accomplish all designated tasks. Children also need to study the spelling lesson. All participants need to properly memorize all the lines. He needs to strengthen his memorization skills in order to meet his expectations on stage. Performing in the theatre will help children understand the importance of accomplishing all responsibilities assigned to him.

On the other hand, if you will let your child join different types of theatre activities, your child will have the opportunity to enhance his concentration skills. As a child actor, he needs to learn different things while performing onstage. He needs to deliver his lines flawlessly while remembering all the actions he needs to portray on stage. Your child will have the opportunity to differentiate his real self from a type of person he needs to portray while the show is going on.

Furthermore, your child will enhance his emotional development. Your child has no choice. Whether he likes it or not, he needs to cooperate with the team for the success of the said onstage performances. Unless your son who is a 7 year old child needs to perform by himself only in front of the many audiences watching, he really needs to work as a team. The attitude of being selfish is not welcome in this kind of activity.

Aside from the overall development of your child, he will also have a chance to learn and understand the different cultures of other races while he is portraying a certain character in a specific human civilization. He will learn a heightened feeling of empathy as he will portray different characters from the past and present history. He will also learn the importance of working as one team as he will disregard his own intentions. He will learn how to support and motivate one member who is very disappointed with his self.

All of these are just a few of the many things your child will learn if you will let him discover the world of performing in the theatre arts. You need to let your child explore the world outside. However, your guidance is still vital in the overall development of your child. Your child has many questions and you should always be available to answer all those questions.


Performing Arts Prepares Children for the Future


I was already in college when I got introduced to theater and performance arts through an uncle of a cousin who owns a theater and performing arts school in Cebu. During summertime, my cousins who were all younger than me by five to 10 years, enroll in various classes of ballet dancing, piano and voice lessons, martial arts, acting, guitar playing, drawing and painting, and several others.

For them it was always a time to learn new things and meeting new friends in school. It was always an excited and fun time to spend the whole summer.

I am talking about this because there were lessons learned that I value now that I have kids of my own. Despite the absence of formal schooling in theater or performing arts, I was always been inclined to creative work and interests. With what I saw in my cousins then, I realized that being in a formal school has its huge advantage for a growing child especially if this child happens to have great potentials in the field of theater and performing arts.
Children performing, Active Child 9 15 11

Let me share a few of the lessons learned which a few of us could also reflect on if we want our child or children to be better ___ to our society:

1) Discipline – It is always a great advantage for children to learn early about discipline. Once a child becomes an active member of the working class, the character of discipline will give him/her the stamina to deal with life’s challenges and trials. Discipline also teaches kids about knowing how to reach one’s dream and goals in life.

2) Self-confidence – I am a witness as to how my cousins grow up to be self-confident and humble persons. Such confidence started from childhood offers greater possibilities to life and the future.

3) Creativity – Science has proven that creative and artistic people are actually those who are also intelligent, well-adjusted and warm people. Being exposed to so many creative ideas, a child hones his/her intelligence while enrolled in a class that encourages his/her to be creative.

4) Independence – a child taught to show his/her innate talent on creative endeavors learns the value of independence. Learning both discipline and self-confidence will make him/her a stronger and independent human being.

While I may have missed out on that formal schooling in theater arts, I did had my share of learnings as my parents encouraged me to continue with my interests in singing, dancing and drawing.

These had taught me the same values which my cousins learned when they studied at their uncle’s school. I guess what made it largely different was the fact that for every summer that they end their class, a school recital is held to close the more than a month-long study.

What I missed more than ever was the social interaction and the friendship that is built when enrolled in a theater and performing arts school. This is something that we cannot buy or share or teach our children. And this is also one great advantage to being enrolled in one.

Piano prodigy is all about the music The Detroit News
Piano prodigy is all about the music. The Detroit News. Luckily the opportunity is coming sooner than later. The musical prodigy will bring his It’s All About Music tour to the Ford Community Performing Arts Center in Dearborn on Sunday. Opening act is Kidz Bop Kids a music brand that features and more.…

Why Theater and Performance Art Make Great Activities for Children


If you are a parent who wants no less than the best for your kids, you will surely find ways to get them involved in activities resulting to holistic development.  It is in doing this that parents are assured to find that their kids grow up well-rounded and equipped with the qualities and skills they will need to conquer everything that life throws at them.  Among the many excellent choices for activities to involve kids would be Theater and Performance Art.

Why this actually works as a good idea to get your kids involved in is because of several positive reasons and here are some of them:

• The development of self-confidence – When it comes to this aspect in a child’s development, apart from the parents and the home, his or her environment plays a very significant role.  So if your child is exposed to an environment where he or she may find appreciation, there is great possibility for the child to develop self-assurance and confidence.  With Theater and Performance Art, no child will be treated as a misfit.

• Acquiring Discipline – To have discipline may not be as easy when it is a child we are talking about.  Children even reach a certain age when they tend to question why they have to or why they need to do as the “rule” says.  This is why involving your child in activities which teach them to follow instructions from mentors come really handy as they learn to be with the discipline they truly need to have.

• Having a deeper understanding on Responsibility – Even as kids, the term “responsibility” should be embraced.  One needs to develop a sense of responsibility to himself and herself and the people around.  Tasks should be taken as something which requires effort and Theater and Performance Art could be a great venue for teaching your child this.

• Being capable of working as part of a team – Apart from his or her own self, a child needs to consider working as part of a team.  Because there are plays and performances that involve your child, through the process, he or she will learn that some tasks can only be successfully achieved through cooperating and being one with his or her team.

• Introduces a more artistic world – When we speak of a creative and artistic world, what we are most likely to consider better is none other than Theater and Performance Art.  We do not live in a world that is limited to mere practicality.  Art makes the world a more beautiful and pleasing place to be in and for your child to develop the talent and love for artistic expression is perhaps one of the major keys to bringing out his or her positive potential.

The Theater and Performance Art make great involvements for any child.  Whether your child may not instantly show signs of potential, still there is much positive learning he or she is bound to get from joining one.

Here is a video to show you how kids can enjoy performing in the theater: