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- To purchase tickets for any of our 2007/2008 season, please visit www.stagetix.com. All shows open on a Thursday night with performances continuing on Fridays and Saturdays for the rest of the run.
Sept 20 - 29
by Eve Ensler
directed by Amy Hunter
A poignant and hilarious tour of the last frontier, the ultimate forbidden zone celebrating female sexuality in all its complexity and mystery. "The play is about being a woman and embracing what makes women different from men." "These highly revealing stories never fail to fascinate."
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Oct 18 - Nov 3
by Kim Carney
directed by Amy Hunter
The Home Team is about the four Gurley kids, now in their thirties, who still live at home with Mom, sleep in their bunk beds, and squabble like children. It’s game day, U of M vs. MSU, when one of the brothers brings home a serious new girlfriend with a questionable past. Taking place in one explosive afternoon, The Home Team is a blue-collar comedy/drama that deals with family, football, the meaning of gender roles, and especially the strength and life altering power of true love.
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November 15 - December 15
story and book by Keythe Farley and Brian Flemming
music & lyrics by Laurence O'Keefe
directed by Randy Wolfe
A half boy/half bat creature is discovered in a cave near Hope Falls, WV. The local sheriff brings Bat Boy to the home of the town veterinarian, Dr. Parker, where he is eventually accepted as a member of the family, but when he naively tries to fit in with the narrow-minded people of Hope Falls, they turn on him, prodded by the machinations of Dr. Parker, who secretly despises him. "You'd be batty to miss it."
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January 10 - 26
by David Lindsay-Abaire
directed by Kris Tyrell
Becca and Howie Corbett have everything a family could want, until a life-shattering accident turns their world upside down, and leaves the couple drifting perilously apart. Rabbit Hole charts their bittersweet search for comfort in the darkest of places, and for a path that will lead them back into the light of day. "A painstakingly beautiful, dramatically resourceful, exquisitely human new play."
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February 14 - March 1
by Edward Albee
directed by Randy Wolfe
Part nightmare, part psychotherapy, part docudrama, Who's Afraid of Virginia Woolf? involves two couples playing "games." Ominous veins run through the play's dialogue where fiction and reality are continually challenged. The final unsettling scene is mind-numbing. "...what makes it fascinating is the brilliance of Albee's dialogue, the colors and nuances of the verbal dueling, and the ambiguity of this marriage in which love and hatred are interchanged."
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March 27 - April 19
Book by John Weidman
Music and Lyrics by Stephen Sondheim
directed by Art Nemitz
"And all you have to do is move your little finger," writes Stephen Sondheim. "Move your little finger and you can change the world." It's an uncomfortable American truth... those who try to kill a president take their place in history, and that's often why they do it. Assassins is about how society interprets the American Dream, marginalizes outsiders, and rewrites and sanitizes its collective history.
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May 8 - 24
by J.M. Synge
directed by Robert L. Smith
Christy Mahon impresses all in the Irish pub with his gory confession... he is on the run after splitting open his father's head with a shovel. Mahon claims that the patricidal act was righteous, and he instantly becomes a celebrity. However, as the plot develops, the villagers' view of Mahon changes and they become increasingly disillusioned with their beloved hero. "... poetic masterpiece and an Irish national treasure, where tragedy and comedy are inextricably intertwined."
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June 5 - 28
Music by Galt MacDermot
Book & Lyrics by James Rado & Gerome Ragni
directed by Randy Wolfe
"Let the sun shine in!" A new milestone in Broadway history was set in1968 when Hair, the first rock musical, opened to mass popularity. For the first time on the mainstream stage, audiences witnessed drug use, explicit language, and drag queens. Hair is the account of a profoundly turbulent and explosive era in American history that changed not only the look and the sound of the Broadway musical, but also its very possibilities.